Multidimensional Writing Experience

There is a lovely multidimensionality in starting up a new character for a collaborative writing/role play project at Pan Historia that feeds all my creative urges at once, nearly. There are two main roads into a new character: getting an idea for a character and then finding a place for them to dwell; or finding a story you really like and then finding a character to fit in. Creating a new character from scratch is the most creatively demanding because of the added dimensions of home page design. I love kitting out a new page for a new character from finding the right graphics, or creating them from scratch if one has a bit of tech savvy with a graphics program, and then designing a fun informative home page from all the different components.

Home pages are useful. I think of them as character biographies where you can get your decorating urges taken care of and impart something useful about your character in turn. My Wyatt Earp home is both western in theme and includes useful historical quotes about Wyatt from people that actually knew him. My Gabriel Oak home is less about the personality of the character but is very informative about some of my inspiration for the character. Gabriel is an interesting character inspired both from literature and from the movies. Those familiar with Thomas Hardy will recognize the source of the character’s name, and of course the face I use is from the movie version of the novel “Far From the Maddening Crowd”. I’m not a fanboy however and Gabe is his own character. In one earlier incarnation he was an artist with a supernatural angelic side living inside him. When he moved on to a different story he became a drunk, the human mask, of the Archangel Gabriel.

Of course some characters live in many different role play and collaborative stories and one home page can hardly do justice to all their diverse lives. That’s why the profile pages were originally added as a ‘room’ off the main home page. These pages include sections for each novel that a character appears in so that the owner can give a little biographical detail. The beauty of a site like Pan, though, is that with so many interactive features the creativity of the individual takes over and tools are always adapted to the needs of their owners. I don’t try and force people to use Pan the way I anticipated. Instead I’m often adapting Pan to fit in with the needs of the users.

A lot of people reserve their character biographies for the forums of the novels themselves and use the home pages as a place to show off all their awards, prizes, badges, and the little graphical gifts that people make for one another. This is probably a similar approach that many users of MySpace employ, but it’s fun nonetheless. Of course it doesn’t really help me, as a writer, when I click on their home to see more about their character, but usually I can at least some kind of sense from the avatar they have chosen to represent their character. Other people actually write out character sheets. I have never employed one of those. I like to get a general impression, and then let inspiration take its course when I’m writing. If I get too locked down on who I think a character is I find that the work become stifled and creativity shuts down.

I guess I can sum up what I’m trying to say is that using the internet and a web site like Pan Historia allows me and my fellow writers to add layers and dimensions to our writing experience, like creating images and home pages to enhance the experience. The way that any particular writer or role player chooses to implement these tools is often going to be as unique and different as the perspectives we bring to our writing and characters.

Progress on The Pan Historia Birthday Book

Work has commenced, as promised on the second Pan Historiapanphoenix-72dpi Birthday Book. The title needs a little explaining. Pan Historia is a community for collaborative and role-play writing, as well as history buffs, and a place for people with a whimsical or literary sense of fun to hang out and make friends. It’s like a non-stop costume party (which is why October is such a popular month with our members and writers). We first went live around May 2000 and were in beta forever (it seemed at the time) due to a some what rocky start and no capital investment. Our first collection of work by our writers and artists was prepared and published in time for our 3rd Panniversary (yes, we do awful plays on words at Pan) – which is held every February because our official launch date was Valentine’s Day, 2001. I think. Record keeping is not my strong suit. I forget my own name sometimes as well.

Hence the anthology was named “The Pan Historia Birthday Book” with every intention of creating a new collection each and every February. This turned out to be a laughably ambitious concept. Shortly after the publication of the first book we had a major server crash that ripped the site apart, and it took many months of hard work to re-establish trust and fun as usual. I cannot stress how amazing our members were throughout that whole ordeal. Our second effort which was to be a cookbook: it died before delivery. After that it just seemed like the idea was to be shoved to the back burner every year.

This time, however, determination has returned, and the small press world has radically altered. Back in 2004 I had to order several boxes of books, and we never did sell every copy. This time print on demand has developed to the degree that I don’t have to take that kind of risk again. By affiliating myself with another small press I’m planning to open the work of our talented writers and artists to a wider audience and have the book available on Amazon. It should be exciting to see how our labor of love and fun does in the ‘real’ world. I have pushed the publication date to prior to December in order to take advantage of Christmas sales, but I might be too ambitious. There is a lot of work still to be done.

The deadline for entries to be included in the book closes tomorrow. After that we’ll be judging the entries so that we have the best and the book isn’t the size of Lord of the Rings. Following that is the process of editing. Thankfully we have a number of people qualified to edit who are members of the site. All in all this is a terrific project with great potential, and I can’t think of many other writing sites that give their members an opportunity to be published.

I’m Nearly Famous

I’m very pleased to be able to post that I was interviewed for another blog. Read about Pan Historia in the The National Networker blog. The folks that run that site are really friendly and I’m chuffed as all get out that they choose Pan Historia as a topic.

Research and Socializing at Pan Historia

One of the distinctive features at the Pan Historia collaborative writing site that I haven’t covered too much in my blogs is the section that we like to call the ‘Reference Library’. Back when Pan was created the theme was definitely of a library. We even used a color scheme that was vellum for interior pages and a green leather background for dust jacket style pages. Eventually the theme loosened up due to the way that the members used the site, but there are still many remnants of the library scheme remaining – like the ‘reference books’ that populate the reference section of Pan.

Reference books are a collection of bulletin boards similar in design to our ‘novels’ but devoted to the discussion of various topics, as well as the dissemination of links, books, and ideas from around the internet. They are a place to kick back with friends and talk about some of the stuff that fascinates you. For instance I am a member of Black & Blue for the discussion of true crime, crime drama, and forensics because I like to write my cop character Red King. I’m also a member of Wild West for the discussion of western history. This book is very handy. When I’m looking for info for one of my posts I might pop over there, but I often find myself posting to share something I have found that I figure will be of interest to other writers. Of course writers can also find more than just reference. We have The Writer’s Block and The Tenth Muse for discussing writing and for poetry respectively.

I recently joined in our Fleur-de-lis reference book to talk about my adventures in gardening. Theoretically I can see that on occasion, as a fiction writer, I might want to find out about a garden plant, but honestly I just joined so I could talk about my plants and hang out with other people in the community that like to garden. There are other books to talk about movies or music, or various periods in history. Our reference books round out the activities on Pan Historia in a very meaningful way: from the purely social to the scholarly, to just being a handy tool for fleshing out your fiction writing.

Not all the people that are drawn to Pan Historia as a community are fiction writers. The Reference Library is a way for them to read and discussion things that interest them, along with the games and general chit chat that is often a signature of the site’s central hub pages. It’s not really a surprise considering how many people first start browsing the internet and using it for more than email by researching a question they have or a topic they are fascinated with. The community at Pan Historia gives them a social aspect to their interests.

Top it all off with an instant messaging system and you’ll never be alone or lacking in things to do or read at Pan Historia. Of course no site is ever perfect and Pan Historia is not excluded from that rule. It’s an ongoing work of social media art as far as I’m concerned and one of the things I would like to see happen is MORE in the Reference Library. Pan also has a blog section but after several years of seeing it in action I realize that blogs, being sort of solitary, are not really the most effective method of interactive at Pan. One of the things I used to include in my blog there was my gardening adventures, but it was sort of static, and static is not what I sign on to Pan for so I moved my focus to the Fleur-de-lis reference book and I’m already have more fun because I’m getting into discussions about my passions.

Why I Love What I Do

Several times I have hit on the topic of the isolation of the writer. After all it’s pretty much just you and your word processor (or for the Luddites amongst us: typewriters or yellow lined pads and a Number 2 pencil). Of course the cliché of the lonely writer pounding on his keyboard is a myth created around the lives of previous writers. Reading an article in the recent New Yorker issue about the teaching of Creative Writing in America breaks through that stereotype to how many writers have learned as part of a group. Self-taught writers might go to local community college workshops or join a writing group on or off line. On Sundays writers join in #writechat on Twitter. The internet has, for many writers, stripped away the isolation and allows for writers to enjoy relationships with their peers and their readers directly.

While I regret the need for writers to be their own publicist these days I don’t regret the moves towards uniting writers with other like-minded people or allowing writers to bridge the gap from written word to the person that is reading that word.

Last night I was logged into my community site Pan Historia and I got a wonderful example of one of the myriad reasons that I love to be involved in a collaborative writing community. One of the members came to me to ask me about whether or not I thought that women during the 19th Century in the Old West would bathe naked or whether they would wear their undergarments. I don’t believe this is a question that could be answered definitively because of the nature of the record from the Victorian Era, but the interaction was fun as we tried to determine what would make a believable historical scene. The person that instant messaged me got immediate feedback and help on what they were writing right in that moment.

When I write a fiction post for one of my collaborative role-play novels there I can get instant feedback – which I hugely enjoy. It’s not always critical feedback, but that’s ok. As writers we need to expand and grow, hone our skills, but more often than not we just want to know that other people are enjoying the tales we spin. By writing and publishing at an online community with like-minded people, both readers and writers of tales, I can interact with my readers and with my fellow writers in one fell swoop. I can get advice, I can find research sources (more on that in a later blog), and I just plain jump up and down to announce my latest effort.

Besides the feedback I get my other pleasure on the site is giving feedback to others. The excitement of logging onto Pan Historia to find a post by one of my writing partners in one of my favorite collaborative novels is akin to seeing the latest book by your favorite author showing up at the local bookstore. With some people it’s just about the pleasure of reading their stuff, but I might enjoy a more critique based relationship with other trusted writers so that we might comment on each other’s work. Another added benefit is that I might get a fresh eye to catch those typos and other errors that slipped by me even though I edit all my work before posting it online.

I know a lot of this sounds like an ad for my own site (and yes, there is an element of shameless plug here) but it’s also probably true for other writing sites that you might have heard of or be involved in. I really think that the potential that resides in the internet is all about social media, interaction, and networking, and not about static information. I actually believe that all this interaction has allowed me to be a writer in a way that I don’t think I could have managed before it. I am far too social an animal to write alone. Having my peers and readers right here at my fingertips, whether on Twitter, MySpace, Facebook, or at Pan Historia, actually liberates and inspires me to write, and to write better.

Romance Returns to Pan Historia

Romance returns to collaborative fiction site Pan Historia…

Everyone loves love so why did it ever leave? It’s really a problem of gender expectations and preconceptions I think. Romance has the reputation of being a woman’s thing, and yet, hey there blokes, you all know you love romance too. I have long suspected men of being the more romantic of the species, but I digress.

My original intention in removing Romance as a genre option was to tighten up the genres we have and make sure that each and every genre was active. It seemed, in the site design, that we were spreading ourselves too thin. We once had Comedy, Role Play, and World as genre options too. Last year I did a marketing survey of the members of Pan Historia and what I discovered was that many writers at Pan, male and female, loved Romance whether they were writing there or not. I also learned that many people come to Pan just to read. So it seems that a genre’s popularity shouldn’t be purely based on number of posts per day or number of novels populating the genre.

Having discovered that people often just like to read what is on offer at Pan has changed my thinking about the site design in a lot of ways. I used to be very fervent about cleaning up novels that had gone quiet, but now I think of them more like the books at the library that don’t get checked quite as often. It doesn’t mean it’s time for them to go in the sale bin quite yet. I’m looking at ways to highlight the reading at Pan in different ways than it’s been done so far. Right now it’s all about what’s the latest, hottest, and the newest, which is pretty much how it’s done all over the net. My earlier blog posts sink under the weight of my newer ones until they’re never read again. I’d like to find some way of bucking that system at Pan so that a novel that was written two years ago can still be a popular read now, and not just data languishing in the database.

With these thoughts in mind a genre like Romance doesn’t need to meet posting quotas or worry about novels coming and going. Popularity shouldn’t solely be judged on statistics. A good love story is timeless. It can be revisited again and again.

Passing Away

The death of a long time member of my online community this week has, naturally enough, sparked some thoughts about the nature of intimacy on the internet. Over the ten plus (and that’s a big plus, I just find it difficult to remember that far back) years I have been involved with community writing sites like the one I developed and those that preceded it there have been a few people that have passed away. In the case of some of our most stalwart friends we have been fortunate if the family remembers us, or if one of their online friends has bridged the gap between virtual and actual friendship. Other times people just disappear. With no word from the ether that is the great unknown of ceased communication there is no way to ever find out what happened to that person. They just vanish.

Of course people come and go all the time – that is the nature of what is essentially a hobby to most. For those of us that really love our communities and do not move away to a new neighborhood it would be more comforting to really understand and know where people go. I think many people, even people who frequent social media, forget the strange nature of the internet. Whether I know you as Wyatt at Pan Historia or by my Twitter moniker Panhistoria often all you have to go by is a screen name, a bit of personal history shared, and then poof one day I could be gone. All I have to do is not login again, wander off, embrace some other interest, and it’s like I never existed.

It’s a weird feeling because very often it means that online relationships do not have closure or even memorials, despite the copious feathery trails of chatter and correspondence, posts and images. Many people solve the issue by getting real and swapping names and phone numbers and taking the play off the stage and into the audience so to speak. But even for those of us that are very selective about making that transition, or who value the wonderful transformation from everyday to magical, we still value our online friendships just as strongly. It’s important to know what happened to our friends, why they vanished from our circle, from our daily routine.

With that thought in mind I thank the family of Meritites/Mirjam Nebet for remembering her online family and letting us know so that we, like any community, can mourn her passing.

Open Source Fiction

I use the term ‘collaborative’ fiction a lot because I’m trying to fix an idea and not wander around in vague terms that would confuse a reader not familiar with the activities of which I speak. My personal favorite used to be ’story play’ which was coined by my son, then only twelve, and I thought it brilliant. Sadly it didn’t catch on with the writers at Pan Historia and we continued to happily call ourselves role-players even as the world around us moved forward while we wrote our interactive stories with each other. We had evolved, many of us, from role-playing but the reality is that the majority of us just got caught on fire with the concept of writing together with like-minded people on a creative project that could span from a two person narrative to a sprawling novel of Ancient Egypt with the entire Court of the Pharaoh Ramesses or King Hatshepsut being represented right down the naked serving girl.

But just the other night I caught a blog post titled Open Source Art that sparked another term in my mind: open source fiction. Just like doing open source code we take a story and we bat it back and forth between us, each one adding our part, some of us more, some of us less, but even the smallest contribution adding to the whole until it is a unique entity almost independent of us. We get very little critical acclaim, if any, except within our unique community, and yet I believe there are some really good writers writing open source fiction. In fact I know for a fact we have had several published authors play around with the format and enjoy being able to take a traditionally solitary medium and make it social.

Reading deeper into Open Source Art the author discusses the medieval tradition of storytelling, for instance the King Arthur legend, and here I specifically reminded of fan fiction on the internet. There is really little difference between the imagination being fired up by a modern myth like Star Trek or Harry Potter and then, as a group of storytellers, adding your stories to the mix and passing them on. As the author of Open Source Art states what are different are the ideas of sole authorship and ownership.

I really appreciated reading Open Source Art and was glad to be able to rediscover and expound on the ideas as they related to my own favored art form. In many ways I know that I have harbored doubts about my involvement in an online writing community as frivolous or a waste of time over the years – and trust me have heard it from friends and colleagues as dismissive jibes – or as a repudiation of myself as a serious writer, but coming to terms with the very real revelation of collaborative writing as an art form of its own, a form of open source fiction is power and liberating.

Plotting Between Collaborative Writers


Or the plot goes on and on…

The traditional story will move from beginning to middle and finally to end but in the case of many or most collaborative fiction stories at Pan Historia the idea is never really to end. When it comes to the storyline I prefer to think of my stories more in the light of a serial or ongoing series. There may be story conclusions to individual stories but the characters need new challenges to crop up all the time.

This is where collaborative writing needs more than one head because, frankly, coming up with new plot ideas all the time to keep a train moving indefinitely into the future can be daunting. Some days you just don’t have the inspiration and bouncing ideas off the other writing partners can be a great thing.

I tend to assume that most of the readers of my fiction are writers in the same story (though I have found with great pleasure, on occasion, that there are other readers who enjoy the stories) and so I always have a little line drawn in the sand – how much to reveal and how much to conceal so that they will still have the joy of surprise over plot twists. This is a true balancing act for me though I understand different writers resolve this in different ways.

There are two ways to deal with writing discussions – one through private messages between two writers and the other through forum or chat room discussions between groups of writers. My problem with the chat room is that if you need everyone there you might be lacking a window of opportunity while bulletin boards allow for everyone’s unique time table. Generally I use the private messages over public discussions because of my desire to give everyone else the thrill of surprise, but eventually you will come to a place where everyone needs to be on board. However writers prefer to deal with plot discussions Pan Historia has the tools for it: forum boards available only to the group (novel as we say in Panspeak); chat room; or instant messaging onsite. With the recent re-enactment of the “Gunfight at the OK Corral” by my Tombstone writing group we used all of the available media. We posted widely on the forums in the weeks leading up to the writing event, then we instant messaged each other to work details between characters, and finally on the day we kept coordinated using the chat room.

Which leads me to an interesting aside: as far as I know most collaborative fiction sites are using models adapted for other kinds of interactive social media and Pan Historia is one of the few built specifically to cater to role-playing collaborative writers. I think once people try the site and get past the first “oh shit I don’t know where to find anything or what does this button do” feelings they should find themselves in a complete environment catering almost exclusively to their interests.

Another important thing to remember when discussing plot with your fellow writers is to remember to listen and to be flexible. You might have something in mind and it becomes your ‘darling’ and you want to control that plot, but don’t. You’ll end up writing alone – which is fine if you’re a novelist but kind of dull on in a collaborative situation. Also, and this has happened to me frequently, if you let someone else’s ideas help to shape yours you might just find that the resulting story is even better than the one you originally imagined.

Young Writers

I’m in the middle of doing a survey at my collaborative fiction community site Pan Historia and I found out that I have a number of teen users. Pan has always been friendly to young writers – for instance we have a collaborative novel centered around the world of Harry Potter, for example – but I was surprised at the number and the types of answers Pan teens gave to my questions. For instance most of them did not frequent tons of other sites and all answered that they loved to read and write, fiction and sometimes non-fiction too. Yes, they used MySpace or Facebook, but in general they came off as more studious types than the stereotypical teen (or my offspring when he was their age for that matter!).

Interestingly right into my Twitter feed came news of this study today: New Study Shows Time Online Important for Teen Development. In reading the PDF link from their web page I was interested to read this paragraph:

A smaller number of youth use the online world to explore interests and find information that goes beyond what they have access to at school or in their local community. Online groups enable youth to connect to peers who share specialized and niche interests of various kinds, whether that is online gaming, creative writing, video editing, or other artistic endeavors. In these interest-driven networks, youth may find new peers outside boundaries of their local communities. They can also find opportunities to publicize and distribute their work to online audiences and to gain new forms of visibility and acceptance.

The study concludes that teens can actually benefit and develop valuable social and practical skills by this online interaction. In our case I think that their interaction with adults also provides valuable example and learning experiences for our young writers – many of home have ‘grown up’ on Pan. I know of several of our longer term members who originally joined Pan Historia as young teen writers and now have the opportunity to help other youth develop their social and writing skills.

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